By Theodore Rickard
Among the imponderables
in cleaning out the old homestead -- besides the mystery of the single ski and
the left foot of a pair ice skates found behind the furnace -- is what to do
with the family heirlooms. These are the things that our own and previous
generations found impossible to simply throw away, and so we're stuck with them.
Now it's come time to sell the house and move on. The problem seems to be that
the accumulation of our "stuff" simply refuses to move on.
For example, my late
mother-in-law was an enthusiastic jelly-maker, an art that proved impossible to
pass down to her daughter who relied, instead, on what was on sale at the Pick
'n Save. Grandmother, after all, didn't have to play chauffeur to softball,
swimming, dance, and/or hockey in a seasonal enslavement to the offspring's
varied athletic interests. But there are still two enormous kettles and about
100 glass jars in the basement. So, now what?
There are also two floor
lamps. I remember them vividly at either end of the sofa in my parents' living
room. Each had two bulbs and two pull-chains. They blighted my older sister's
romantic life for years, since the ratcheting sound of the pull chains if the
lights were turned off would trigger a parental visit. This challenged my
sister's boyfriends for years. Amazingly, only my future brother-in-law thought
of unscrewing the light bulb. The last use for the lamps was when they were
fitted with aluminum foil reflectors and became "Klieg lights" for an
attic performance written, directed, staged and starred-in by our youngest,
more melodramatic daughter. Her brothers were dragooned into performing minor
roles and, when not on stage, providing the audience. The boys' motivation,
apparently, was their little sister's "Or else, I'll tell . . . ."
And neither their mother nor I ever did learn just what it was she was using to
blackmail them. The youngest of the brothers, in fact, claims that she's still
doing it. And he can't remember what it was, either.
In the far corners of
both basement and attic we have enough abandoned athletic equipment to outfit
an Olympic team. Kayak paddles are stacked with field hockey sticks, relics of
sports that nobody but our kids ever thought of. There's the usual collection
of tennis rackets that look oddly small on the business end compared to the
wide-screen versions in use today, and the empty can for the tennis balls that
the dog chewed up years ago. Why we kept all this stuff is beyond me. Maybe to
explain to ourselves, years later, why we found child-rearing as so physically
exhausting an enterprise. No wonder we were tired all the time. We were trying
to keep pace with a bunch of athletes!
The boys' stuff seemed
to end up in the basement; the girls' stuff, in the attic. I don't know why
this should be. The old doll house is in the attic. The one with the windows
shot out with a brothers' sling-shot -- for which outrage the cries of
indignant injury echo to this day. No sooner were the windows replaced, we
recall, than interests changed from dolls to boys, and the doll house was
pushed back under the eaves.
Likewise the attic contains
the rows of prom and bridesmaid's dresses which, for some reason, could never
be passed along to somebody else, could never be worn again, but couldn't be
discarded, either. Some are wrapped in old sheets, some in transparent dry
cleaning bags, while one or two wear plastic trash bags modified for the
purpose. Side by side they hang, shimmering wraiths of the once-magical and
important. One is the youngest daughter's high school prom dress. The front of
it is tear-stained with a girl friend's anguish. I don't know the details. I
have never asked. Nor shall I.
Each hanging wrapper
seems to enclose the event itself, packaging the triumphs and tragedies of the
young, hanging them in a row, now done with them. Each enfolds a part of each
daughter's life. They have daughters themselves now, but claim they have no
room to store the old party dresses. They've never said why; maybe they don't
know. We've decided that when we sell the house, we'll just leave them there.
Perhaps with a nice note. "They might fit somebody in the next family that
lives here," I said to myself. But I know that isn't true at all.
The dolls stored in the
attic are easy. At the first mention of moving, each daughter shows up to claim
her personal family. There is not even any squabbling about it; each knows
exactly which doll accessory belongs to her own doll, and recites precisely
when and how acquired.
"I got the
going-away outfit when I had the measles, and Aunt Anne gave me the matched
luggage to go with it." Neither her mother nor I could remember the gifts.
Probably because one of the boys had chicken pox the same week while the other
broke an arm jumping off the garage roof with a golf umbrella for a
"parachute." Neither of these events registered with the sisters.
Certainly not the way the doll's matched luggage did. And maybe we remember
only because the one with the full arm cast got the chicken pox the next week
and, as the doctor said, "Well, what did you expect?”
If whoever buys the
house has daughters of their own, maybe they, too, will like to play
"dress up" and put on shows in the attic. They'll need the costumes
then, and a couple of spotlights. I wonder if they might be interested in
making jelly. I hope so.









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